01. Stage Face
Opera colours, closed eyes, and broken pieces of a face remembered after the moment has passed.
A photographic memory of China rebuilt through fragments, reflections, double exposure, movement, and digital traces.
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Opera colours, closed eyes, and broken pieces of a face remembered after the moment has passed.
Three seated figures blur together, leaving a soft record of being in the same place.
A face behind glass, mixed with flowers, food signs, and the noise of the street.
A white ceremonial figure behind restaurant glass, caught between display and reflection.
A quiet portrait crossed by winter branches, part face and part landscape.
Two people crossing a glass floor, split by pattern, reflection, and shadow.
White figures against a red wall, interrupted until the scene starts to come apart.
Children and a passing figure caught inside broken pixels, street movement, and digital noise.
Old architecture and passing figures layered into one fading street scene.
Hands, costume, and the Great Wall held together in one fading image.
A performer held still in red fabric, blue costume, and window light.
A meat steamed bun shop window full of faces, steam, movement, and blue street light.
Although Igli Martini Kocibelli is a civil engineer, his passion for photography began in 2006 as a way to find balance during the stress of demanding construction work. Known for portraits and landscapes, his work has been featured in exhibitions across Europe, Australia, and China. During four years in China, he became fascinated by the busy streets of Beijing. Having lived in many places, he feels that memory is never complete. As he moves to Brussels, this project becomes both a celebration of China and a gift to himself, using double exposure, glitches, and digital techniques to represent fragmented memory.
Igli's photographs explore how places return through layers, interruptions, reflections, and digital traces. His work becomes the remembered world after it has passed through time, movement, and emotion.